In this case, Bolaño’s narrator, a Catholic priest–and conservative literary critic (and, of course, failed poet)–Father Urrutia, via a sweeping deathbed confession of sorts, recounts his life story, leading inexorably to Pinochet’s coup and its attendant subsequent draconian reforms and abuses.
Heart-stopping and hypnotic, By Night in Chile marked the American debut of an astonishing writer.Toward the end of the 130 page monologue that is Roberto Bolaño’s novella By Night in Chile, narrator Father Sebastián Urrutia Lacroix claims that “An individual is no match for history.” His statement neatly encapsulates (what might be) the dominant theme of By Night in Chile, namely an individual person’s capacity and ability to correctly–and sanely–somehow measure, attest to, confront, and witness the horror and brutality of history. Soon, searingly, his memories go from bad to worse. This wild, eerily compact novel - Roberto Bolaño's first work available in English - recounts the tale of a poor boy who wanted to be a poet but ends up a half-hearted Jesuit priest and conservative literary critic, a sort of lapdog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Jünger.įather Urrutia is offered a tour of Europe by agents of Opus Dei to study "the disintegration of the churches" - a journey into realms of the surreal - and, ensnared by this plum, he is next assigned, after the destruction of Allende, the secret never-to-be-disclosed job of teaching Pinochet, at night, all about Marxism, so the junta generals can know their enemy.
A deathbed confession revolving around Opus Dei and Pinochet, By Night in Chile pours out the self-justifying dark memories of the Jesuit priest Father Urrutia.Īs through a crack in the wall, By Night in Chile's single night-long rant provides a terrifying, clandestine view of the strange bedfellows of church and state in Chile.
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